Dances with fire – Elixir Zdravi http://elixirzdravi.com/ Fri, 30 Apr 2021 10:33:54 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.1 https://elixirzdravi.com/wp-content/uploads/2021/04/cropped-icon-32x32.png Dances with fire – Elixir Zdravi http://elixirzdravi.com/ 32 32 AGF celebrates International Dance Day [PHOTO/VIDEO] https://elixirzdravi.com/agf-celebrates-international-dance-day-photo-video/ https://elixirzdravi.com/agf-celebrates-international-dance-day-photo-video/#respond Fri, 30 Apr 2021 07:37:00 +0000 https://elixirzdravi.com/agf-celebrates-international-dance-day-photo-video/

April 30, 2021 11:37 (UTC + 04: 00)

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By Laman Ismayilova

The Azerbaijani Gymnastics Federation (AGF) shared a video dedicated to International Dance Day, celebrated on April 29.

The video features two-time World Junior Championship medalist Arzu Jalilova, who fascinates viewers with her flexibility.

International Dance Day is a global celebration of dance, initiated by the Dance Committee of the International Theater Institute (ITI), UNESCO’s leading performing arts partner.

The celebration takes place every year on April 29, anniversary of the birth of Jean-Georges Noverre (1727–1810), creator of modern ballet.

The day strives to encourage participation and education in dance through events and festivals held on this date around the world. UNESCO officially recognizes ITI as the creators and organizers of the event.

Since the beginning of the Middle Ages, various kinds of dances began to form in Azerbaijan.

Vagzali, gangi, yalli, terekeme, nalbeki are among the popular dances of the country.

Vagzali is performed when the bride is seen from her family’s house to the groom’s house and her departure is reflected in this dance.

Yalli is a very old and traditional dance in Azerbaijan. At first it was performed in the form of a traditional celebration of fire, which was a source of heat, light and hot food. In this traditional celebration, the dancers worship the fire like a goddess. This dance is performed by a group of people and in ancient times, whoever did not dance properly was fined from the conductor who made him sing a song or dance another dance.

Terekeme is a dance of the members of the tribe. Those who dance stretch out their arms and walk forward with their heads held high. This dance is filled with feelings of freedom and expansion. Both men and women perform it.

Nalbeki (saucer) is a dance performed only by women, during the dance saucers are used.

The first professional dance group in Azerbaijan was established in 1938 on the basis of amateur performances. The ensemble has performed with a diverse repertoire, consisting of ancient and modern folk dances.

Today, traditional dances are still performed by the Azerbaijani people.

Now they are widely taught and performed across the country and abroad.

Follow us on twitter @AzerNewsAz




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Claudel (Pascal Productions) https://elixirzdravi.com/claudel-pascal-productions/ https://elixirzdravi.com/claudel-pascal-productions/#respond Fri, 30 Apr 2021 06:53:06 +0000 https://elixirzdravi.com/claudel-pascal-productions/

It is often said that you should never send a man to do a woman’s job, and when it comes to telling Camille Claudel’s story, this is very true. In recent years, the story of the rebellious sculptor has been told on stage through speech and dance with varying degrees of success. Indeed, when Wendy Beckett and Meryl Tankard’s Claudel was last created in 2019, it was one of the two productions of the Festival d’Avignon to have dared to attack the fate of the rebellious sculptor and muse of Auguste Rodin.

Claudel. Photography © Daniel Boud

To understand where Beckett and Tankard have succeeded, one must also recognize where others have failed. Since Camille’s death in 1943, much of her life has been left to guesswork. Has she really gone mad? In her relationship with Rodin, who carried the greatest creative influence? Did Rodin really take steps to sabotage his career? Beckett and Tankard make their own assumptions when answering these questions in Camille’s favor, but their greatest success is ultimately putting her center stage.

In 2011, choreographers Boris Eifman and Peter Quanz both created balletic treatments of the relationship between Claudel and Rodin. Eifman Rodin, although spectacular, was more concerned with the process of creation and bringing Rodin’s most epic works such as The gates of hell to life on stage. He never delivered more than a superficial representation of Camille as the tortured muse and of Rose Bueret as a willingly blind and loving wife. Likewise, Quanz often had recourse to a cliché depiction of Camille’s descent into madness in his Rodin / Claudel for Les Grands Ballets Canadiens de Montréal. Eifman and Quanz placed Rodin at the center of a threesome, in which Camille and Rose revolved around him.

Beckett and Tankard re-pivot the story, making Claudel the focal point as she finds herself torn between her mother and her mentor. Bueret is never represented on stage except as the older woman in Claudel’s allegorical sculpture Age of maturity. Her absence allows Claudel to come to the fore as the protagonist and relegates Rodin to the sidelines as part of a much larger set of challenges she faces. He is never allowed to steal the show and his main contribution to the narrative is to defeat Claudel’s ambitions.

The Australian premiere of Claudel stars Imogen Sage in the title role. She embodies all the fire and passion of Camille Claudel and there are times when she evokes Isabelle Adjani, who played the role on screen in 1988. Sage is a perfect match with Rodin by Christopher Stollery, who seems to be going crazy by his genius more than she is by any unrequited love she has for him. Wendy Beckett portrays Rodin as a man haunted by his greatest embarrassment – his failed commission for the state.

Claudel. Photography © Daniel Boud

The work in question, his sculpture from 1880 The call to arms, was rejected like Monument to the Defenders of the Nation. Beckett presents this as a thorn on Rodin’s side from the very beginning of the play. He is ridiculed for having glorified the war by Claudel’s comrades in Alfred Boucher’s class. Later, the sculpture comes back to haunt him as Claudel calls out to him about his lies. Tankard brilliantly recreates the work with the help of his dancers – the avenging angel, with his gaping mouth and outstretched arms, reflecting Claudel’s fury as the battle lines emerge between her and Rodin.

This precedes a scene in which Rodin reveals his hand in Claudel losing his own state commission for Age of maturity in 1899. Was it nothing more than an act of sour grapes? Beckett suggests otherwise. In his screenplay, Rodin admits that he intervened, as he was clearly recognizable as the man in Claudel’s sculpture, torn between the two women also represented. There are good reasons to suspect it. At the time, he was president of the admissions jury and of the sculpture section of the Société Nationale des Beaux-Arts. A year later, Claudel’s work was once again refused by the Exposition Universelle, during which Rodin was very successful by setting up his own exhibition at the Pavillon de l’Alma.

This claim that Rodin sabotaged Claudel’s career is generally refuted by art authorities and the Rodin Museum. Its inclusion by Beckett is ambiguous. Is Rodin’s statement that he must sabotage Claudel’s chances of protecting his own reputation an acceptance by the playwright that this actually happened, or is it a manifestation of Claudel’s paranoia?

Beckett’s thesis clearly places Rodin in parallel with Claudel’s grotesquely pious mother, Madame Claudel, interpreted here with aplomb by Tara Morice. His categorical statement: “I don’t want effigies. I want respect! exposes the value that Rodin and herself place on their position in society, and the fear that they have reprisals that they might face as a result of Claudel’s work. Let us not forget that state secularism was only enacted in 1905 by the Third Republic in France. It is not unreasonable to think that Claudel believed that Rodin and his mother had betrayed her, so that they could continue to enjoy the pleasure of the State and of the Church.

Sometimes the play feels less like a human drama than an essay on the dichotomy between state-sanctioned art and creative expression deemed transgressive at the time. Beckett and Tankard create two very distinct worlds on stage – the rigid conservatism of the ecclesial state and the realm of naturalism. If the former is represented by Claudel’s mother and her brother Paul, played by Mitchell Bourke, then the latter is occupied by Claudel as torchbearer and his classmates in Boucher’s class. When Rodin agrees to supervise a course for Boucher, he finds himself caught between the two.

Claudel. Photography © Daniel Boud

Beckett’s experience in writing radio plays is evident in his use of language to delimit these two worlds. Madame Claudel and Paul adopt a stilted language, which sometimes borders on the exhibition. Beckett first wrote the piece in French, which has a clearly defined formal register. It seems that she is trying to find the equivalent in English. Coupled with the assignment displayed by Morice and Bourke, he succeeds.

This is in stark contrast to the almost modern vernacular of Claudel and his classmates, Jessie and Suzanne, wonderfully performed by Melissa Kahraman and Henrietta Amevor. They are much more in tune with their body and revel in their own sensuality; their dialogue naturalistic and reflecting the change in their works of art, as well as their social and political views. They fight against the rules that prevent them, for example, from working with live models. Only men are allowed to enjoy the naked form. Camille, Jessie and Suzanne are agents of change, considered dangerous by a society where Church and State are always one.

As Rodin, Stollery must change the way he talks about his character. At first, he adopts the same cut language as Claudel’s mother and brother. Then, as he spends more time with Claudel, his verbal expression also becomes more and more relaxed and natural.

Meryl Tankard brilliantly guides the company through their physical journey, whether it’s Stollery in his portrayal of Rodin’s desperate attempt to assert his failing masculinity, or the set of three dancers who bring Claudel and Rodin’s sculptures to life. Here, breathing life into the clay through dance is not only done for effect, or simply to reflect what is happening to the protagonists, as in earlier treatments of the subject by Quanz or Eifman. Tankard adds a subtext to Beckett’s script, whether through the recreation of Rodin Call to arms as mentioned previously, the leitmotif of Claudel’s own Age of maturity, The waltzes depicting Claudel’s young self in Rodin’s arms as her life flashes before her eyes, or even the confronted abortion she endures, in which she loses not only their unborn child, but apparently all of her work. Tankard’s success cannot be underestimated.

The production design by Halcyon Pratt is simple, yet effective. Beckett and Tankard need a hanging artist’s protective sheet, banding wheel, and sculptor stand to tell their layered rich story. Sylvie Skinazi’s beautiful period costumes serve their characters well, with their detailed cuts, lively skirts and corsets. Like Madame Claudel, Morice wears her black and austere finery like armor, while Claudel and his friends constantly try to escape the literal and metaphorical ties that unite them.

As for the alleged mental illness of Camille Claudel and 30 years of imprisonment by his family in a psychiatric hospital, Beckett and Tankard are content that it remains almost a footnote. It might as well be. Columbus Dance Theater 2014 Claudel also sought to tell the story through a combination of spoken words and dance. A retrospective story, it takes place entirely in the asylum with an elderly Claudel remembering his youth. Her dances were primarily entertainment for the ensemble, most of the narrative being found in Kathleen Kirk’s poetry. Recited by old Claudel, it reminded Sylvia Plath more than it dispelled any idea that Claudel was mad.

Beckett and Tankard are more successful in casting doubt on Claudel’s real qualification for psychiatric treatment. In their Claudel we find a young woman who thirsts for her brother’s love while having to repel his unwanted advances. Betrayed by her mentor and her lover, she is forced to have an abortion. Then, rejected by her own mother, she is prevented from attending the funeral of her beloved father. That Claudel was seen drinking is hardly surprising, nor is his subsequent nervous breakdown.

Beckett and Tankard’s treatment of Claudel’s life adopts his struggle as an analogy for the conflict between naturalism and conservatism, the real tragedy being the fact that Camille fell victim to those who support and profit from a religious regime, just like the secular state was established in France. . Claudel is a worthy tale of her story, which finally portrays her as a very real and normal woman.


Claudel plays at the Playhouse, Sydney Opera House until May 9

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New Ireland Fire Eaters – Post Courier https://elixirzdravi.com/new-ireland-fire-eaters-post-courier/ https://elixirzdravi.com/new-ireland-fire-eaters-post-courier/#respond Fri, 30 Apr 2021 05:37:27 +0000 https://elixirzdravi.com/new-ireland-fire-eaters-post-courier/

By CHRISTINE GNEH

THERE is the famous Kontu custom of calling the sharks where the calling shark plays a deadly game with one of the ocean’s top predators for its next meal. But there is something more deadly; spit fire as a form of dance.

It’s more of a ritual than an entertainment, but it’s still a crowd pleaser; stunning, to be precise.

Gunshot to the Mouth is a new addition to the annual Malangan Festival, having only recently been introduced.

This is possibly one of the most inexplicable and risky performances of its kind in the world.

The dance is “sacred” and is performed by only a few selected people.

No one except the performer knows the secrets of these breathtaking stunts.

Secrets are kept by the chefs and are hardly shared.

It really is a well-kept secret known only to the Imau villagers of Namatanai in New Ireland and the Pinnepel Islanders of Nissan Island in the Autonomous Region of Bougainville.

Oral Fire Dance is a kind of stage performance that a Western magician might perform that are just tricks to make it seem.

But the fire-breathing is not a trick at all.

It is performed in broad daylight and there are no steps; just dance floors.

It has been a well-kept secret of the people of Imau that is rarely performed publicly.

However, the concept of spitting fire is not new as it has been reported in other places in Papua New Guinea by groups who know the secret.

The most astonishing thing is that the hot coals do nothing to the mouth of the performer.

Swallowing the fire is compared to the infamous Baining fire dance of eastern New Britain, where dancers jump straight into the burning embers with their bare feet and come out unharmed, while a team of ‘traditional musicians’ beats. drums and sings sacred songs in a fast and furious manner.

Usually, participants in sacred ceremonies or dances would undergo fasting and subscribe to very strict routines and rituals in order to be able to reach a state where it will be possible for them to perform incredible feats.

There is usually a heavy reliance on natural plants with prayers to be followed which will bring about the desired result in the act of stunt.

This may be called the custom or the known method.

It was another amazing trip to Papua New Guinea, commonly referred to by adventurers and tourists as the Land of the Unexpected.

What can you expect when there are a million more different trips?


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India reports 3.8 lakh new cases https://elixirzdravi.com/india-reports-3-8-lakh-new-cases/ https://elixirzdravi.com/india-reports-3-8-lakh-new-cases/#respond Fri, 30 Apr 2021 04:24:08 +0000 https://elixirzdravi.com/india-reports-3-8-lakh-new-cases/

The isolation ward of the COVID Temporary Care Center attached to LNJP Hospital, Shehnai Banquet on April 29, 2021 in New Delhi, India. (Photo by Sonu Mehta / Hindustan Times via Getty Images)

Prime Minister Narendra Modi is chairing a meeting of the Council of Ministers of the Union on Friday in the face of the increase in coronavirus cases in the country. The country saw a record daily increase in coronavirus cases of 386,452 on Friday, while deaths from COVID-19 jumped by 3,498 in the past 24 hours. Several states, including Punjab, Gujarat, Andhra Pradesh, Delhi and Maharashtra, have said they do not have sufficient doses of the vaccine for inoculation of people between the ages of 18 and 44. The shortage comes with less than 24 hours before the third phase of the vaccination campaign for all adults in the country.

The 3,498 new deaths include 771 from Maharashtra, 395 from Delhi, 295 from Uttar Pradesh, 270 from Karnataka, 251 from Chhattisgarh, 180 from Gujarat, 158 from Rajasthan, 145 from Jharkhand, 137 from Punjab and 107 from Tamil Nadu, according to health ministry data.

A total of 2,08330 deaths have been reported so far in the country, including 67,985 from Maharashtra, 15,772 from Delhi, 15,306 from Karnataka, 13,933 from Tamil Nadu, 12,238 from Uttar Pradesh, 11,248 from West Bengal, 8,909 from Punjab and 8,312 from Chhattisgarh.

The Ministry of Health pointed out that more than 70% of deaths were due to comorbidities.

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Despite cartels and climate change, the Rarámuri carry on the tradition https://elixirzdravi.com/despite-cartels-and-climate-change-the-raramuri-carry-on-the-tradition/ https://elixirzdravi.com/despite-cartels-and-climate-change-the-raramuri-carry-on-the-tradition/#respond Thu, 29 Apr 2021 22:43:29 +0000 https://elixirzdravi.com/despite-cartels-and-climate-change-the-raramuri-carry-on-the-tradition/

The drum is heard in the distance like a war cry. It’s a thrilling and cutting rhythm in the middle of an otherwise calm scene.

A few gusts of wind blow swirling sand around a large, somewhat empty courtyard. This area soon filled with bright colors – women and girls in elaborate ruffled patterned dresses. The drum intensifies.

The court soon reveals the drummers, men and boys moving in rapid procession. The heads in the front put bandanas around the head and a bow and arrow adorned with raccoon skins. Behind them are young men clad in hoodies and sunglasses with handkerchiefs around their faces.

Some of them carry finely painted swords. Their expressions are stoic and focused. The procession stops just outside the church as groups of brightly dressed women quickly gather inside a striking church, a misión filled with finely crafted murals.

Prayers are said, then as soon as they enter, the group leaves the church. The drum picks up speed and intensifies once more, as the procession of men and women again pours into the village, this time with wooden statues of Jesus and Mary thrown onto the shoulders of the pack. in front of. Jesus is dressed in a flannel shirt with a baseball cap inside out, much like many millennials in town.

Women and girls gather at church during the celebrations to say prayers.

This is a typical scene of Santa Semana or Easter Holy Week, in Cusárare, near the rugged Copper Canyon in Chihuahua.

Cusárare is one of the many Tarahumara or Rarámuri villages that celebrate the period of religious holidays throughout Mexico. The celebrations combine traditional cultural practices, pre-Hispanic traditions and Catholicism.

“It is one of the most important festivals for the indigenous peoples of Chihuahua,” says Jaime Aventura, Rarámuri reporter for the state government and tourist guide. Holy Week in the mountains of northern Mexico is a sight to behold. Outside the famous Copper Canyon is this network of vibrant Indigenous communities that celebrate Easter like nowhere else.

Rarámuri means “runners on foot”. This group is best known for being endurance runners, having won ultramarathons wearing only sandals made of tires. They are also known to maintain their traditions, identity and customs. The group is insular with some members still living isolated in caves in the northern mountains.

According to local anthropologist Guillermo Ortiz, “their population is around 75,000 people in the mountains. That’s over 100,000, including those who have moved to cities. “

In recent years, an increasing number of the population has moved to urban areas like Creel to find work there due to the impacts of climate change on their agricultural capacities or due to violent drug trafficking. Working for the cartels was sometimes necessary to survive.

Men will prepare for the celebrations by marking their skin with speckled white spots.  It means Earth.
Men will prepare for the celebrations by marking their skin with speckled white spots. It means Earth.

During Holy Week, the Tarahumara will dance from dawn to dusk to the rhythm of the drum, which they will play exhaustively without rest. The dances signify a clash between good and evil.

With each step they believe they are weakening the devil and thanking God. There are references to the death, crucifixion and resurrection of Christ. Here Judas is burnt.

Santa Semana is a time for the group to be close to God.

Distance plays a role in how traditions are maintained.

“The customs of each community have changed according to their remoteness,” explains Aventura. “Places further away from metis regions keep more old traditions alive, compared to communities close to population centers which fall under greater influence of the traditional Catholic Church.

Some of the more remote mountain villages have closed their doors completely this year to outside visitors due to the pandemic.

Moving on to the seemingly eternal rhythm.
Moving on to the seemingly eternal rhythm.

At nearly 75 km, a similar but different scene unfolds. Various communities around Norogachi travel from the depths of the Sierra Madre Mountains for a great collective celebration of Santa Semana. The men here dress in traditional costumes – a tagora, or a long white fabric tied at the waist that is subtly patterned around the edges, revealing only light coverage of the legs.

the tagora ties with a long ribbon, a Kovera they wear around their head.

At the start of Easter weekend, participating males will prepare for the celebrations by marking their skin with white speckled spots. It means Earth. In Norogachi, a group begins to dance rhythmically.

This same group launches the procession with various members of the village. As the day progresses, different groups join in the march until hundreds of people have invaded the town square.

The procession scene is vibrant and full of various characters, dancers, drummers, flautists and captains with flags. The front of the line features a woman from the village carrying a large banner of Jesus, a man wearing a large conical hat resembling a piñata, and various metis ladies carrying crosses made of palm branches and statues of Mary and Jesus. The rest of the village, the women, follow the dancers and drummers through colorful streams.

The procession walks through the city several times with more and more members joining. Some men start collecting firewood for big bonfires. The evenings are cold and the fire is needed to keep dancing and drumming.

A wrestling match where the chamucos, representing the righteous, are opposed to the morocos, the demons.
A wrestling match where the chamucos, representing the righteous, are opposed to morocco, the demons.

And the dancing is endless. He enters the night and the days that follow. At night, the dancers look zoned, but their bodies move relentlessly through the endless rhythm. They basically danced in a trance. Families at home will cook continuously, baking hundreds of corn tortillas to ensure the dancers are fed.

Their main source of strength comes in the form of a cigarette or a can of Tecate beer. According to the villagers of Cusárare, “the beer gives energy to the participants” and “more than one kick to keep dancing”.

Villagers also drink jugs of homemade corn beer called tesgüino.

As the sunrise envelops the valley, the dancers retreat for a brief rest. The yard is dotted with still asleep visiting community groups, empty Tecate cans and embers left over from the previous night’s bonfires. Outside visitors, mainly the media and a few domestic tourists, congregate at the Hostal de Elba, located in the center of town.

Later that morning in Cusárare, the same courtyard at first seems empty, but the drums are more intense than ever.

The doors this time of the misión are closed. Similar to the day before, the yard is finally starting to fill with the same brightly dressed women. They gradually move up a hill overlooking an acre of farmland as the procession of threshers make their way through this field.

Rarámuri celebrations combine traditional cultural practices, pre-Hispanic traditions and Catholicism.
Rarámuri celebrations combine traditional cultural practices, pre-Hispanic traditions and Catholicism.

It’s time for the penultimate event of the Santa Semana celebrations: the lucha, or the ultimate struggle. This is a reversal – a symbolic demonstration of good versus evil, with evil being expelled.

In the most traditional celebration, the villages would be divided into groups – chamucos, representing the righteouss, and morocco, the demons.

For 10 minutes, the villagers hug their backs and wrestle as an excited crowd cheers and dominates. The scene is chaotic – several games underway, bodies stumbling succumbing to the pressure of the weight and limbs and legs thrown on the sand.

Dust is constantly being thrown into the air and the scene gradually becomes blurred. Some matches seem friendly and full of laughter; others settle or create new accounts.

Once again, as quickly as the prayers began and ended, so did the fight. The villagers gradually come out of the fields and come back running in front of the main square of the church to engage in lively discussions. After days of dancing and processions, there is no sign of fatigue on anyone’s face.

Men and boys rush to the drum. They walk around the city for one last show, a testament to their most famous religious celebrations, resilience, and close ties to their culture.

It’s a wonderful end to another spiritual year, and they can finally rest.

Mexico News Daily


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Everything that’s happening to streaming services this weekend (April 30) https://elixirzdravi.com/everything-thats-happening-to-streaming-services-this-weekend-april-30/ https://elixirzdravi.com/everything-thats-happening-to-streaming-services-this-weekend-april-30/#respond Thu, 29 Apr 2021 21:11:00 +0000 https://elixirzdravi.com/everything-thats-happening-to-streaming-services-this-weekend-april-30/

The weekend is almost here, and what a weekend it’s going to be for streaming subscribers everywhere. Major streaming services almost always air new movies and TV on weekends, but this coming weekend will be particularly successful in the streaming department. You see, May 1st is Saturday and the first day of the month is usually when the services add a bunch of new titles. New original titles will arrive in service lines on Friday, followed by a horde of additional movies and TV shows to come a day later as part of the monthly change.

Netflix will release the highly anticipated animated film on Friday The Mitchells against the machines, which he acquired from Sony Pictures Animation earlier this year. Friday will also offer the debut of Tom Clancy’s Without remorse and the Invincible Season 1 finale on Amazon Prime Video, plus new episodes of Big beanie and The mighty ducks: game changers on Disney +.

Saturday will see significant revenue on all major services (except Disney +). The biggest film of the incoming wave is Principle, the new film by Christopher Nolan, which will finally be released on HBO Max from May 1.

Below, you can check out the full list of movies and TV shows coming to Netflix, Disney +, HBO Max, Hulu, and Amazon Prime this weekend.

Netflix

APRIL 30
The innocent – NETFLIX ORIGINAL
The Mitchells against the machines – NETFLIX FAMILY
Company stars – NETFLIX ORIGINAL
The banal Juanquini: Season 2 – NETFLIX ORIGINAL

1ST MAY
Aliens stole my body
Angelina Ballerina: Season 5
Angelina Ballerina: Season 6
Back to the future
Back to the future part II
Back to the future III
Barney and his friends: Season 13
Barney and his friends: Season 14
Best of the best
Death again in the gravestone
Due date
Have fun with Dick and Jane (2005)
GI Joe: The Rise of the Cobra
Green zone
Hachi: a dog’s tale
JT LeRoy
Madagascar 3: the most wanted in Europe
the mystical river
never back down
Notting hill
Open season
Resident Evil: Afterlife
Resident, bad, extinction
SMART Chase
Scarface
SITTING IN LIMBO
Stargate
Inventory
The land before time
The Land Before Time II: The Great Valley Adventure
The beautiful bones
Pelican briefs
The sweetest thing
The whole nine yards (2000)
Besieged
Deep waist
Your Highness
Zack and Miri do a porn
Zombieland

MAY 2ND
Grabbers: Season 11

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Disney +

APRIL 30
Adventures in Wonderland
Disney Duck Tales (S3)
Disney junior mira
Oklahoma!
Marvel Studios: Assembled – Assembled: The Making of the Falcon and the Winter Soldier
The mighty ducks: game changers – Episode 106 “Spirit of the Ducks”
Big beanie – Episode 103 “TCKS”

prevnext

HBO Max

1ST MAY
17 again, 2009
Abraham Lincoln: Vampire Hunter, 2012 (HBO)
Anaconda, 1997
Anger management, 2003 (HBO)
Baby boom, 1987 (HBO)
Barry lyndon, 1975
Black hawk down, 2001
The cable guy, 1996
Charlie and the chocolate factory, 2005
Damn, 2005 (HBO)
Daddy Daycare, 2003
Darkest hour, 2017 (HBO)
Darkness, 2004 (extended version) (HBO)
The dirty dozen, 1967
Dumb & Dumber, 1994
Employee of the month, 2006 (HBO)
Fire station dog, 2007 (HBO)
Theft of the intruder, 1991 (HBO)
Save Willy, 1993
Frida, 2002 (HBO)
Generation Por Que? (HBO)
God is not dead, 2014 (HBO)
Good morning Vietnam, 1987 (HBO)
Happy feet two, 2011
Happy feet, 2006
Harley Davidson and the Marlboro Man, 1991 (HBO)
Hercules, 1983 (HBO)
Igby goes down, 2002 (HBO)
Igor, 2008 (HBO)
Insomnia, 2002 (HBO)
The interview, 2014
Jackie Brown, 1997
Kansas, 1988 (HBO)
Magic mike, 2012
Menace II Society, 1993
Michael, 1996 (HBO)
Mortal combat, 1995
Movie 43, 2013 (HBO)
Muriel’s wedding, 1995 (HBO)
My baby’s daddy, 2004 (HBO)
Mystery date, 1991 (HBO)
Norbit, 2007 (HBO)
Para Rosa (Aka For Rosa) (HBO)
Precious, 2009 (HBO)
Enraged, 1977 (HBO)
Romance and cigarettes, 2007 (HBO)
Rose water, 2014 (HBO)
Rudy, 1993
Rush hour 2, 2001
Rush Hour 3, 2007
Peak hour, 1998
Save the last dance, 2001 (HBO)
Save the last dance 2, 2006 (HBO)
Foolish, 1998 (HBO)
Separate tables, 1958 (HBO)
Serpico, 1974 (HBO)
Serving Sara, 2002 (HBO)
Summer rental, 1985 (HBO)
Principle, 2020 (HBO)
Debt, 2010 (HBO)
The immigrant, 2014 (HBO)
The kingdom, 2007 (HBO)
The last of the best, 1990 (HBO)
The perfect man, 2005 (HBO)
The suit, 2002 (HBO)
The wings of the dove, 1997 (HBO)
The Witches of Eastwick, 1987 (HBO)
Tomcats, 2001 (HBO)
Believe me, 2014 (HBO)
Tyler Perry’s Madea Witness Protection, 2012
Varsity blues, 1999 (HBO)
Welcome to Sarajevo, 1997 (HBO)
When Harry meets Sally, 1989
Willy Wonka and the Chocolate Factory, 1971
Won’t you be my neighbor?, 2018 (HBO)
Words and pictures, 2014 (HBO)

MAY 2ND
Uri and Ella, Season 1

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APRIL 30
The judge (2014)

1ST MAY
Are you the chosen one?: Complete seasons 4-6 (MTV)
Bad Girls Club: Complete seasons 7, 9, 10 and 15 (oxygen)
Blind date: Season 1, episodes 1-45 (Bravo)
Meeting #NOFILTER: Complete Seasons 1 and 2 (E!)
I am Cait: Complete Season 2 (E!)
Married to medicine: Complete seasons 1-6 (Bravo)
Sunset Shahs: Complete seasons 1-6 (Bravo)
Texicanas: Complete season 1 (Bravo)
(500 summer days (2009)
Team A (2010)
Adaline’s age (2015)
Almost known (2000)
The journey of an elephant (2018)
Any Sunday (1999)
The murderer (2015)
Betrayed (1988)
Blast from the past (1999)
Blue fries (1994)
Leap (1996)
Burning (2018)
Crazypeople (2010)
Cyrus (2009)
Dance with the wolves (1990)
Detective Dee: The Four Heavenly Kings (2018)
Dinosaur 13 (2014)
Fascination (2005)
Good night mom (2015)
Grace of Monaco (2015)
Grudge match (2013)
Gundala (2019)
Hannibal Rising (2007)
Harold and Kumar escape Guantanamo Bay (2008)
Harold and Kumar go to the white castle (2004)
The Haunting in Connecticut (2009)
Haunting In Connecticut 2: Ghosts of Georgia (2013)
How Stella found her groove (1998)
I’m a legend (2007)
I love you Philippe Morris (2009)
The Indian in the closet (1995)
The iron giant (1999)
Knowledge (2009)
Lost in Hong Kong (2015)
Lucky number Slevin (2006)
Machete (2010)
Man from nowhere (2010)
Midnight heat (1996)
Once upon a Time in the West (1969)
A beautiful day (1996)
The foreigner (1980)
Predator (1987)
Predator 2 (1990)
Race for your life, Charlie Brown (1977)
Tank dogs (1992)
Resident Evil: Afterlife (2010)
Resident Evil: Apocalypse (2004)
Resident, bad, extinction (2007)
Sahara (1984)
Bursts (1991)
The spy next door (2010)
Step Up 2 The Streets (2008)
Step up 3d (2010)
Train to Busan (2016)
True lies (1994)
Vampire in Brooklyn (1995)
Advantageous position (2008)
Virgin suicides (2000)
Lamentations (2016)
Wall Street: money never sleeps (2009)
We were soldiers (2002)
What does love have to do with it (1993)
Zack and Miri do a porn (2008)

MAY 3
Flight (2012)
The Iron Woman (2011)

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APRIL 30
Tom Clancy’s Without remorse – Amazon original movie (2021)
Invincible – Season 1 finale

1ST MAY
Alien: Resurrection (1997)
Alien 3 (1992)
Aliens (1986)
Almost known (2000)
Angels (2009)
Betrayed (1988)
Leap (1996)
Deuce Bigalow: Male Gigolo (1999)
Dinosaur 13 (2014)
Fascination (2004)
Flight (2012)
Flight plan (2005)
Georgia rule (2018)
Green zone (2010)
Gunsight ridge (1957)
Hidalgo (2004)
How Stella found her groove (1998)
Jump the broom (2011)
Knowledge (2009)
Leather heads (2008)
Nanny Mcphee (2006)
Nanny McPhee is back (2010)
A beautiful day (1996)
Priest (2011)
Reign of fire (2002)
Resident Evil: Apocalypse (2004)
resident Evil (2002)
Rio (2011)
Sahara (1983)
The perfume of a woman (1992)
See no evil hear no evil (1989)
Bursts (1991)
Adaline’s age (2015)
Dalton’s daughters (1957)
The “Da Vinci Code (2006)
The French connection (1971)
The green hornet (2011)
The Haunting in Connecticut 2: Ghosts of Georgia (2013)
The Indian in the closet (1995)
The Ladykillers (2004)
The men watching the goats (2009)
The foreigner (1980)
The secret life of bees (2008)
The sixth sense (1999)
The sweetest thing (2002)
Imposing hell (1974)
Two for the money (2005)
Unbreakable (2000)
Advantageous position (2008)

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The ball can be a direct fire after all. NJ schools ‘thrilled’ with advice on dancing, graduation. https://elixirzdravi.com/the-ball-can-be-a-direct-fire-after-all-nj-schools-thrilled-with-advice-on-dancing-graduation/ https://elixirzdravi.com/the-ball-can-be-a-direct-fire-after-all-nj-schools-thrilled-with-advice-on-dancing-graduation/#respond Thu, 29 Apr 2021 14:01:15 +0000 https://elixirzdravi.com/the-ball-can-be-a-direct-fire-after-all-nj-schools-thrilled-with-advice-on-dancing-graduation/

Friday was supposed to be decision day at Clearview Regional High School.

Would he start selling tickets to an outdoor ball? Or would officials advise students that they couldn’t plan a large outdoor event because it wouldn’t meet Governor Phil Murphy’s meeting limits?

But new advice on proms and graduation ceremonies released by the state this week eliminated the problem. With a senior class of around 380 students, Clearview can move forward with an event that falls into the 500-person limit for outdoor gatherings.

Even better? Students at Mullica Hill School can actually dance, but with masks and good social distancing.

“We are more than thrilled,” said Mike Vicente, district director of student activities and athletics, after hearing the news on Monday. “You can’t imagine how excited we were.”

The new guidelines end speculation that schools would be forced to juggle multiple options or contingency plans until the last possible minute or that parents would be forced to throw fortune pledges like they did in the past. last spring and summer. And that ensures that many students will have a proper – but not entirely normal – graduation ceremony after their high school experiences turn upside down in the middle of their undergraduate year.

“We can’t help but be happy to have the opportunity to plan the ceremony each of our seniors and their families envisioned when they first entered our campus as ninth grade students. , four years ago, ”said Jeffrey Moore, Superintendent of Hunterdon. Central Regional High School in Flemington, one of the largest high schools in the state.

Murphy announced this week that the limit for outdoor gatherings will increase from 200 to 500 – with the hope that it will rise again by June. It also announced it will increase the capacity limit for New Jersey dining events, such as weddings and balls, to 50% and up to 250 people starting May 10. The dance floors for these events may be open.

Murphy said the distinction between allowing dancing at balls and weddings, but not in restaurants and nightclubs, is a “calculated risk.”

“These are big events,” Murphy said of balls and weddings. “It sure is a bit of a fine line.”

Schools spent months planning a variety of scenarios, including outdoor balls. The Freehold Regional School District has previously had success with mostly outdoor junior balls held in large tents with cocktail-style catering stations with indoor tables available for students, the district said.

“Our plans were finalized and we were already ready to move forward… full steam ahead as we had planned,” said Superintendent Charles Sampson.

Mount Olive Public Schools may need to hold two graduation ceremonies instead of one, but that way students will be able to secure tickets for two family members, Superintendent Robert Zywicki said.

Even though the end-of-year rituals are slightly different, the fact that they take place is a victory for the students, he said.

“These kids, after all they’ve lost, they must have the ball and the holiday season,” Zywicki said. “I am happy to see that dancing will be allowed. What’s the point of having a prom without dancing? “

Our journalism needs your support. Please subscribe today to NJ.com.

Adam Clark can be reached at aclark@njadvancemedia.com. Got a tip or story idea about New Jersey schools? Send it here.


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KEN BARNES: American Bison … Where did they all go? | Chroniclers https://elixirzdravi.com/ken-barnes-american-bison-where-did-they-all-go-chroniclers/ https://elixirzdravi.com/ken-barnes-american-bison-where-did-they-all-go-chroniclers/#respond Thu, 29 Apr 2021 10:11:00 +0000 https://elixirzdravi.com/ken-barnes-american-bison-where-did-they-all-go-chroniclers/

Readers may recall a recent column I wrote on the extinction of carrier pigeons. At one time, the most populous bird on the planet, and in less than 100 years, they no longer existed. Billions are gone. Totally wiped off the face of the earth.

I was recently watching the movie “Dances With Wolves” on TV, and there was a scene with Kevin Costner and his Native American friends stalking a herd of buffaloes. This animal was the cornerstone of almost all Plains Indians in North American history. Their skins and flesh provided shelter for tents, clothing for the body, and food for a person’s health.

The scene in the film showed a large area of ​​grassland dotted with dozens of decaying bodies of buffaloes that had just been stripped of their skins and left to rot. You assumed that all the meat has just been wasted by American buffalo hunters.

At the end of the movie, I started to wonder what really happened to the millions of buffaloes that once roamed the mid-west of our country.

What were their numbers then, compared to today. When I did some research I was impressed. Thousands of years ago, bison were found throughout most of the region of North America. It stretched from the east coast to the Pacific Ocean. And, from northern Canada south to the Mexican border.

The majority of these majestic creatures were found in the central plains of the country. It was estimated that in the early 1800s, there were as many as 70,000,000 or more. It is almost impossible to believe that by the mid-1880s there were less than 500 across the country. That’s right . . .500! Where did they all go? How could something like this happen?

During these years, Western expansion began to take place in the United States. People here craved a major food. . .beef. And the ox meant the cattle. And cattle meant huge herds were needed to keep up with the demand. As a result, huge amounts of land were used for grazing. The buffalo used this land, so they had to be eliminated.

This gave birth to the legendary “American Buffalo Hunter”. Armed with long-range hunting rifles, a man could kill up to 250 bison a day. Tanneries paid up to $ 3 per skin and 25 cents for each tongue, which made a good life for men like Wyatt Earp, Wild Bill Hickock, and William F. Cody.

The buffalo tongue was considered one of the great gastronomic specialties of the 19th century. It had a delicate flavor and fine texture and was far superior to beef, which was much coarser. It was considered sacred meat by Native Americans. Once these hides and tongues were taken from the carcasses, the edible meat was left to rot on the plains.

By the 1880s, more than 5,000 hunters and flayers were involved in the trade. Little has been thought about how this massacre affected the native tribes.

The interdependence between the Indian and the buffalo is best illustrated in the beautiful words of John Fire Lame Deer. . .

“The buffalo gave us everything we needed. Without him, we were nothing. Our teepees were made from his skin. His skin was our bed, our blanket, our winter coat. It was our drum, throbbing through the night, alive, sacred. From his skin we made our water bags. His flesh has strengthened us, has become flesh of our own flesh. Not the smallest part has been wasted. Her stomach, a red stone fell into it, became our soup kettle. the horns were our spoons, the bones our knives, the awls and the needles of our women. From its tendons we made our ropes and our threads. Its ribs have been fashioned into sleds for our children, its hooves have become rattles. His mighty skull, with the pipe tilted against it, was our sacred altar. The name of the greatest of all Sioux was Tatanka Iyotake – Sitting Bull. When you killed the buffalo, you also killed the Indian. “

When the trains occasionally encountered large herds of bison crossing the tracks, they began to announce “the hunt by rail.”

It didn’t take long for sportsmen with guns to kill hundreds just for the fun of it. These animals slaughtered from the trains had just left.

As the massacre continued, the numbers pushed them to the brink of extinction.

Today, the American buffalo is one of the great success stories of environmental movements. Thanks to conservation efforts, there are now 500,000 bison in the United States, 5,000 of which are in Yellowstone Park. The bison was chosen as America’s first national mammal, and it is a symbol of the wild west. Their resurgence shows that we can all learn and try to correct our mistakes.

Ken Barnes is a longtime record shooter and outdoorsman from Kern County. Email him at ken.barnes@aol.com with comments or story ideas.


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Drunk Woman Offers Sex, Random Dances To Random People And Police, Arrested https://elixirzdravi.com/drunk-woman-offers-sex-random-dances-to-random-people-and-police-arrested/ https://elixirzdravi.com/drunk-woman-offers-sex-random-dances-to-random-people-and-police-arrested/#respond Thu, 29 Apr 2021 08:38:35 +0000 https://elixirzdravi.com/drunk-woman-offers-sex-random-dances-to-random-people-and-police-arrested/

Florida police have arrested a drunken woman after giving random people dance tricks on Saturday. The woman allegedly offered sex to the police and attempted to assault the paramedics.

Police identified the woman as Olivia Jeanine Taylor-Washek, 28, of Petersburg, Florida. She was accused by Pinellas County Police of being disorderly and intoxicated.

The complaint said she was the subject of a disturbance call after tripping onto the sidewalk and performing knee dances to random citizens on a Saturday night outside a St. Petersburg bar.

New York Daily News reported that Taylor-Washek asked officers to call in a fire rescue team. But she threatened to injure paramedics if they touched her, preventing a needed assessment.

She is said to have had several opportunities to call someone who can take her home. The police then offered to accompany him to his apartment building. However, she continued the public unrest after 8:30 p.m. and started yelling profanity at police and passers-by.

After successful contact, the woman was confirmed to be heavily intoxicated. His eyes were bloodshot and deemed “watery” as described in the warrant. She also showed more evidence of drunkenness, proving the allegation after speaking in an unclear manner and not being able to hold the pitch properly.

The complaint document, published on The smoking gun mentioned that she even asked the police if they wanted to have sex on the sidewalk. She continued the crime and shouted that the police “were going to shoot her”.

However, no weapon was seized from the woman. She also showed no signs of being under the influence of the drugs. NY Daily News said the Pinellas County Sheriff’s Office validated the authenticity of the arrest report.

Taylor-Washek was reportedly released on recognizance on Sunday afternoon, but no further details have been released regarding her public disturbance.

According to Daily mail from her Instagram account, it can be concluded that she is currently participating in a competition, where the winner will take home $ 25,000 in grand prize. In addition to the money, winning this contest also includes a photoshoot with a top photographer and an appearance in an American men’s magazine known as a cover girl.

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Roy’s Front Row at the Oscars: “How Oscar Became More Important Than Ever” | News, Sports, Jobs https://elixirzdravi.com/roys-front-row-at-the-oscars-how-oscar-became-more-important-than-ever-news-sports-jobs/ https://elixirzdravi.com/roys-front-row-at-the-oscars-how-oscar-became-more-important-than-ever-news-sports-jobs/#respond Thu, 29 Apr 2021 05:22:13 +0000 https://elixirzdravi.com/roys-front-row-at-the-oscars-how-oscar-became-more-important-than-ever-news-sports-jobs/

PHOTO PROVIDED Poster for Oscar winning film “The Father” is shown.

The Oscars this year, like every other major event during this pandemic, was unusual to be sure and I have to say, refreshing and exciting too. There are several reasons why I think this year’s Oscars have become so important from a social standpoint, so – before my big night review and a look at the winners – I want to talk about how Mr. Oscar has evolved and adjusted. the years and how the ceremony has always been a part of any national or world event that surrounded it at the time.

Movies have always reflected the era in which they were made. Whether the stories take place in the past, present, or future, it’s impossible to escape the pitfalls of when they were released. The Oscars ceremony is proof of that.

The socio-economic, political and spiritual events of the time always had an impact on any decision made by the voting academy and many winners for “Better picture” throughout the 93 years of Oscar have shown this precise point in all aspects of production. Whether it is through their visual and audio art, their scriptwriting, their acting and their staging or finally through their themes and their stories, the result is the same – a rich barometer of the moment – of the good and the bad. moments in equal measure.

In the 1930s and 1940s, most of the best Oscar-winning images were dominated by films reflecting social struggles at home and wars abroad. “In the west, nothing is new,” (1930), “Carried away by the wind” (1939), “Madam. Miniver” (1942), “Casablanca” (1943), and “The best years of our life” (1946) were shining examples of the looming shadow of war. While “Great hotel” (1932), “It happened one night” (1934), ‘The Lost Weekend“(1945) and”Gentleman’s Agreement ”(1946) were many examples of the social and class struggles of the time.

In the 1950s and 1960s, there was a shift in perspective as major studios, such as MGM and Paramount Pictures, produced extremely expensive films that delighted with their booming big-screen “ cinemascope ” technology, their brilliant colors and larger than life, realizing and realizing transversal production standards.

PHOTO PROVIDED Poster for Oscar winning film “Nomadland” is shown.

“An American in Paris” (1951), “The greatest show in the world” (1952), “Around the world in 80 days” (1956), “Ben Hur” (1959), “West Side Story” (1961), “My beautiful lady” (1964) and “The sound of music” (1965). All of them winning the Academy Awards for Best Picture for their own brilliance and, while seemingly different, were in fact made very much the same and to serve a very controlled film industry – the “The beautiful days of Hollywood” as it has become known.

The 1970s and 1980s represented a change from the great Hollywood control, as many smaller, more independent films, as well as bright young filmmaking, writing and acting talents appeared.

“The French connection” (1971), “The godfather: parts 1 and 2” (1972-1974), “Flight over a cuckoo’s nest” (1975), “Annie Hall” (1977), “Kramer vs. Kramer” (1979), “Chariots of Fire” (nineteen eighty one), “Terms of affection” (1983), “Section” (1986), and “Rain Man” (1988) were all examples of Best Picture winners who, thanks to their intensely well-written and directed production values, as well as their extraordinarily real acting, had brought the movies full circle by showing every aspect of the movie. human spirit, good and bad, let them be turned. against war or peace. It was about the human condition in all its triumph and also about its failure.

In the 1990s and until the 2000s, there was another shift, a shift in consciousness, as many historical films emerged as a kind of acknowledgment of the wrongs of the past.

“Dance with the wolves” (1990), “Unforgiven” (1992), “Schindler’s List” (1993), “Forrest Gump” (1994), “Brave Heart” (1995) and “Gladiator,” (2000) were all examples of Best Picture winners who brilliantly showed us a new take on history. Seen through different eyes and with a sense of true humanity. Indeed, many of these films have become legitimate educational tools for history students.

In the late 2000s and 2010s and until today, many Best Picture winners really became completely unique, breaking down barriers in their own way.

“There is no country for old people” (2007), “The Hurt Locker” (2009), “The artist” (2011), “12 years of slavery” (2013), “Birdman or (the unexpected virtue of ignorance)” (2014), “Moonlight” (2016) and “Parasite” (2019) are all examples of films with no real connection to each other, as I discussed earlier.

Each of these Best Picture winners gained notoriety through style, perspective, and most importantly, their tireless study of the human mind. That same spirit that has been studied in every winner since 1928.

Oscar has always been a test of the social constraints of his time. The release date is everything. Some appear to be ahead of their time, some are simply timed to perfection, but all are representative. One unique thing that only movies have, they are inexorably similar, yet vastly different in many ways.

This year’s ceremony was approached in a different way from the start. The recreation of the event in the smaller space of Grand Union Station in Los Angeles made for a more personal and closer event. Only a few hundred guests were invited, mostly nominees and others from the industry. The style of the shoot, the attention to the real winners, and the fact that they were given unlimited speaking time, certainly resulted in some exciting visuals and thought-provoking discussions. I have to say the whole event was handled brilliantly, and no time was wasted getting straight to the winners.

The clear winner of the evening, which was no surprise, was “Nomadland” and its writer / producer / editor and director, Chloe Zhao. There were several barriers broken that night and for her being the first Chinese / American to win, and only the second woman to win for directing (the other is Kathryn Bigelow for “The Hurt Locker” in 2009), she certainly did an amazing thing, and she deserved it too.

It was a great night for Frances McDormand and Sir Anthony Hopkins. McDormand winning her third Oscar, only the fourth woman in history to do so (Katherine Hepburn, Ingrid Bergman and Meryl Streep being the other three) and she gave a short, sweet speech that seemed to catch everyone off guard.

Hopkins won the second Oscar of his illustrious career but was not there to receive it. Many believed that the late Chadwick Boseman should have received the Oscar for Best Actor posthumously for his brilliant performance in “Ma Rainey’s black background” but in the end a fully deserving Hopkins won.

Another first in the acting category was Best Supporting Actress. Youn Yuh-Yung became the first Korean / American person to win in any acting category, for his stellar performance in “Minari”, and delivered a beautifully heartfelt speech.

Daniel Kaluuya’s imposing performance in “Judas and the Black Messiah” was an incredibly popular victory and his speech was an inspiring and uplifting nod to social injustice and the hope and need for love and understanding to come back to us all.

There was a message throughout the night, not only of the artistry and congratulations to the winners, but from people in the industry who, like all of us, had to face a most extraordinary year of 2020.

The lack of completed productions and therefore Oscar eligibility had created an interesting cinematic void that had been filled with newcomers and filmmakers who might not even have gotten a peek, let alone. steal the show. There is no doubt that the more powerful studios usually have the first say in nominations, they just have the money to promote and promote their films, but not this year.

This year, Netflix, once again, dominated but not as ultimately successful as they had hoped, as Indies shone and, rightly so, showing off their talent and brilliant artistry for being as good, if not better. , than the big studios.

Now there is the discussion about movie theaters and how they will come back and be able to keep people coming back.

Streaming has obviously become a force to be reconnected. All of the nominees were available on streaming platforms, in many cases before or instead of a theatrical release.

But if you think that’s the way it’s going to stay, I hate being the bad news barer. All major studios are fully invested in returning to traditional theatrical release as soon as possible.

But no matter how things turn out, one thing is certain, films will continue to be made and these once hopeful little independent directors have received a boost that I believe has already made a difference. .

Blockbusters will always be made, but now there is something new – a return to that human spirit that defines the very essence of the films themselves and, finally, those that will hopefully not be limited by the movie. budget or conference room.

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